Saturday 30 August 2014

Stay High by Tove Lo analysis




The video I will be analysing is 'Stay High' by Tove Lo as it, like the songs I've been contemplating choosing for my own music video, tells a story by following the artist as she recalls what happens on a night out. Although; my video will not resemble 'Stay High' in terms of concept, props or lighting, as the explicit nature of this video will limit my audience to adults only due to the adult content I still think this video is a good one to analyse due to its abstract nature which I find to be quite alluring and interesting.



The video begins with what looks like her memories from a hangover, as images of her drinking and changing clothes (multiple times) flash on the screen. Similarly to BeyoncĂ©’s "Pretty Hurts" the direction for the video goes down the documentation route. 






Picture 1 displays the artist waking up from a pile of people, suggesting that she has fallen asleep at a party. First impressions from this opening scene of the artists character and the theme of the song is that it is based around a party-goer trying to recall what happened up the day before. 

Picture 2 shows the singer dressing for a night out, in this video the artist is seen changing a multiple amount of times, which adds to the documentary feel of the video as it shows that this is a recording of the characters life over a period of time. Goodwin's theory of voyeurism is key in this video as we are introduced into this artists world, as we see everything that happens to her through her eyes, her perspective. Furthermore, many record companies tend to use close ups of their artists to sell themselves to the audience, to sell a brand, and Close Ups are featured heavily within this video due to unique way it has been filmed.


Picture 4 showcases the artist in a more generic way as she stands in front of a black screen; giving her the main focus. Moreover, this also helps to piece the meaning of the, particularly abstract, video as she sings "You're gone and I gotta stay high/ All the time/ To keep you off my mind" thus illustrating a relationship between the visuals and the lyrics because as she sings this we are shown clips of her getting drunk, recapping the night before. 

Picture 5 displays the artist applying make up to her neck to cover the love bite on her neck, this shows the artist as a promiscuous and sexually active young woman. This is one of the many conventions and stereotypes attached to females in the media, they're either seen as: powerful cold hearted women, housewives or sluts. 

Picture 6 shows the artist getting ready for a night out by putting on her makeup, this use of an extreme close is really effective because it is an invasion on the artist and it makes the audience feel even more connected to her.

Picture 7 illustrates the artist washing her face, this could represent the cyclical quality of her life as she has a wash, puts on her make up and goes out. The washing motif suggests a sense of routine, suggesting the artist is living the stereotypical young person lifestyle, of sleep all day and party all night.

Picture 8 and 9 show the artist taking a paracetamol for what the audience can only assume is for her hangover after the night before. This suggests that she lives this cyclical life where she parties all night and then regrets it the morning after as she wakes up with a massive headache. the fact that she chose to highlight this sows how important it is as there is also a close up that has been slowed down to show the paracetmol going into the water.


Wednesday 27 August 2014

Vernallis analysis- Chris Brown - Loyal ft. Lil Wayne, Tyga



Vernallis' theory suggests that The star (or in this case stars) of the music video should be the main focus throughout however, there is usually a background of performers in a performance video. In this case, Chris Brown is the main singer therefore, all eyes are on him, even though he has people in the background dancing behind him. Vernallis doesn't think this takes away from the main artist as long as there is the right kind of staging.
                               


 Here Chris Brown is dancing with a group of female back up dancers, although they're all doing the same moves, due to Chris being male he automatically stands out and is till the main focus for the audience.
Moreover when Chris is interacting with one of the extras, he's still in control. This shot shows this woman focussing on Chris whereas Chris is cheekily looking at the camera as if it is one of his friends, once again maintaing focus.

In addition, even though the back up dancers here are also male, Chris Brown still stands out due to his attire, as he is the only one wearing a white t-shirt and red gingham shirt around his waist.








Another one of Vernallis' many theories for music videos is that the leader singer must provide a flattering depiction of the singer lip syncing the song and that it should be made obvious to the audience, therfore there should be close ups of the artist to show them singing as she believes that this entices the audience in which makes them enjoy the video more because it makes the artist more engaged with the performance. Furthermore, I believe that this video executes this perfectly because even though this is somewhat a performance video, we as an audience still feel connected to Chris through his lip syncing as it almost feels like he's having a conversation with us, as he's being playful with the camera.




Thursday 14 August 2014

Andrew Goodwin's Theory for Music Videos




Below is a slideshare I found during my research into Goodwin's theory about music videos.




                    
                         Andrew Goodwin’s Theory from guestc6d43a4a

Analysis on past music videos




Below are videos from past students.





This video starts off with displaying the title of the track, the main artist and the featuring artist, the album it comes from and the record company it is in association with, this is good because this is what is seen on actual videos that get aired on shows such as MTV and Kiss, thus making it look professional.









I liked the simplicity of this video as most of it was shot in the recording studio, which gave it a sense of authenticity and made it look more believable as music video.


Here is a screenshot of what I found to be a fairly successful shot due to the dramatic slow motion of the gift falling to the floor.

Tuesday 5 August 2014

Warwick Avenue by Duffy

Another song that featured on my short list.


Tears Dry On Their Own by Amy Winehouse






The Only Exception by Paramore

This is another contender as I like the idea of having a love interest for my artist, moreover, I also like the idea of introducing the artists vulnerable side, thus allowing them to connect with her.


 

A Thousand Years by Christina Perri

Jar of Hearts by Christina Perri


This is another potential song for my music video as I like the idea of using a slow sad song as I'd be able to use more close up shots of my artist which is what most record companies do especially when launching a brand new artist.


Chasing Pavements by Adele





This song has made it to my short list of potential songs for my music video.